In Part 3 of 4, we get to learn a little bit about what the title “Infidel,” is all about, as Sir Hugh is brought behind enemy lines and learns that there is less separating him and the other than the Church made it out to be.
Hmm we didn’t really intend this, but there is a section of The Cleansed that features a militant Christian force, this piece by Roger, and then a piece by our friends at Aural Stage Studios called “Jesus Gets Rejected.” Call this our ‘blasphemy’ edition. Listeners of faith, please try to keep an open mind, or skip this one and tune in next week!
A few notes on the production of INFIDEL from Roger’s site:
INFIDEL was originally a stage play by Roger Gregg produced by Graffiti Theatre Company in 1991. The play in which a cast of 4 actors played all the roles, was commissioned by the Irish third world development organisation Trocaire. The play was a response to what we now call the ‘First Gulf War’ in recognition of the old adage that those who do not learn the follies of history are condemned to repeat them.
In the summer of 2005, RTE Radio 1 commissioned Crazy Dog to adapt and expand the stage play into a 4 episode radio series. The script was re-designed specifically to exploit the epic scope possible in the audio medium. The combination of the realism of the location recordings, vivid sound design, original music score and performances by some of Ireland’s leading voice actors, has resulted in an exciting and compelling audio-epic of clashing beliefs, war and compassion.
Portions of INFIDEL were recorded on location in the stables, cobblestone courtyard, in the fields and with the horses at the historic Raleigh House near MacCroom, County Cork, Ireland. Studio portions were recorded in RTE’s radio drama studios. The prix Italia award winning sound engineer Mark McGrath recorded both the studio and location recordings. Location recordings were carried out with a portable Hard Disc recorder with a stereo microphone configuration. See our photo gallery for pictures of our recording process. The sound track music was crafted by Roger Gregg using keyboards and Arabic percussion and voice samples. The series was post-produced and mixed by Roger on Pro Tools in the Crazy Dog studios. Special thanks to the Vaughan family for their generous hospitality during our time spent at Raleigh House.
This is a great hour today. Dig in.