Well, the dust is not yet settled on Halloween and the eeriness seeps into this month… Starting with the original “Ghost Behind the Black Door,” to contrast the same tale we re-told in my 2009 Halloween Live Radio Drama.

So, the story? A couple moves from the city to a remote mansion in Ireland, where every spooky story cliche is abused in this hilariously ghoulish half hour. From the Crazy Dog Live collection.

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Radio Drama Revival – Episode 147

This week our Halloween-inspired Ghoulishness continues its fervor and picks up the pace with a haunting tale of woe from the audio masters of The Wireless Theater Company.

In a remote, aging manorhouse in England, Edgar, the disaffected manor-keeper takes out his frustrations on the sickly owner of the mansion.  But blood shed is hard to take back, and soon Edgar is forced to take more and more drastic measures to hid his evil deeds, and finds the escalating madness impossible to escape.

A gore-iously great tribute to Edgar Allan Poe that both lampoons and celebrates gothic fiction.

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Written By: Stuart Price
Starring: Knight Mantell, David Beck, Jessica Dennis, Leonie Hill, Josh Cass and Andrew Glenn. Foley by Jack Bowman, Dean Elliott and Reuben Anderson.
Edited By: Scott Wiber
Directed By: Stuart Price
Music By: Michael Bruce

the flickerman is a cerebral, post-modern, interactive audio…. something. Is it a drama? Is it reality? The two seem to blur as we talk to the series’ producer – Lance Dann – who tells us how this intense audio conspiracy was re-created from tapes sent to him by his friend Cornelius, and how the very success of the series threatens its downfall.

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Radio Drama Revival – Episode 132

Title: The Flickerman
Author: Lance Dann
Producer: Lance Dann
Type: Audio Drama
Genre: Not Quite Sure
Availability: Free Download

My Two Cents: I don’t want to give too much away on work that’s going to appear on the show, but I have to say something about Lance Dann’s The Flickerman. There’s nothing like it in audio. There might never be again. It’s worth listening to both as a unique audio event and for the intriguing story it tells.

On the surface, the story of The Flickerman seems pretty vanilla – a young man finds himself in a series of increasingly stranger random encounters and soon gets in over his head as things go weird. What makes this story eff’ing brilliant is that the narrative is hooked into Flickr, and the story calls upon you to explore photos through Flickr as the narrator’s life begins to unravel around him. Postmodernism pulled off exceedingly well.

Lance tells me… well, Lance tells me that this comes from tapes recorded by Cornelius himself, so I’m not sure what to tell you. The story bleeds the edge between reality, fantasy, text and subtext. The show does pick up at a slow pace, but if you’re along for the self-reflective ride, you’ll find yourself hooked on this thing.

The Flickerman will be featured on Radio Drama Revival later this month.

Part 2 of my interview with Magic Bullet producer / writer / audio dramatist Alan Stevens picks up where we left off and hits the following topics: knowing when to end stories, the creative potential and individual fulfillment to be had in writing with licensed properties, why Avon and Iago are psychopathic bastards (or are they the same psychopathic bastard?), and of course, Faustian bargains. As in part 1 of this interview, audio clips from Kaldor City are embedded throughout. Additional sound clips from Magic Bullet’s The True History of Faction Paradox audio serial can be found in my overview of that series here.  To go directly to Magic Bullet’s website, click their logo above.

Stevens is a unique voice in the field, and whether you agree with his positions or not, you can’t fault the dedication, quality, or intelligence behind his work. Whether you consider yourself a “genre fan” or “above such things”, if you value good audio drama then you need to read this interview.

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Today I present part one of the Malleus interview with Alan Stevens of Magic Bullet, audio dramatist, writer, and producer of the Kaldor City and The True History of Faction Paradox audio drama serials. In this installment, Stevens discusses what drew him to audio drama and how Magic Bullet came to be, why he recast the Faction Paradox audio dramas, and what makes sound designer Alistair Lock a genius. Alan has an engaging wit and an interesting approach, and the article is embedded with sound clips from both the Kaldor City and The True History of Faction Paradox serials that illustrate why Magic Bullet is a force to be reckoned with in the British audio drama scene. Don’t pass this one by. 

(You can go directly to Magic Bullet’s website by clicking on their logo above. Further sound clips from The True History of Faction Paradox can be found in my overview of the series here. Part 2 of the interview can be found here.)

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