Episode 134: Eric Bauersfeld and Jim McKee Discuss 40 Years of Radio Drama in the Bay Area

This week we talk to Erik Bauersfeld, a producer, director, and actor in audio drama for more than 40 years, and a figure who gets too little attention in the history of the art.

Erik started in the early days of KPFA with the Black Mass series, which is now widely circulated on the ‘net. However, that was only the roughest start of his career – he went on to produce for many more years with a variety of groups, including the founding of Bay Area Radio Drama, and the Horspiel-America project.

Chris Dueker has covered him in the Malleus series, talking about the Horspiel-America project and reviewing a work of Kafka’s Metamorphosis.

I had the opportunity to talk to Erik about four decades of radio drama in the San Francisco Bay Area, including early field recording pieces with Randy Thom and many more works produced with sound designed Jim McKee, who also joined us on the phone.

With no further ado, let’s get into the work of Erik Bauersfeld.

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Radio Drama Revival – Episode 134

What was Hörspiel USA? Erik Bauersfeld’s 1984 KPFA Folio essay on “The Project”

Malleus Maleficarum German and English Audio ColumnGreetings all,

My wife recently had surgery for appendicitis, and between doing my work, taking care of her, and looking after my 4 year old son, I’m just too beat to write from scratch this week. My essay on Gordon Bok’s “Peter Kagan and the Wind” will therefore be postponed to next week. However, I’m not too tired to type up someone else’s words, so today I’m proud to present a lost piece of radio drama history.

After my review of his dramatic adaptation of Franz Kafka’s “Metamorphosis” went up, Erik Bauersfeld sent me a thoughtful and fascinating email response. Noting my interest in his cooperative 1984 Hörspiel USA project between Berkeley, California Pacifica station KPFA and German station WDR Köln, Mr. Bauersfeld kindly volunteered to send me information about it. The envelope he sent contained a 1984 copy of the KPFA’s Folio, which included summaries of all the Hörspiel USA dramas and an introductory article by Bauersfeld himself.

This was, of course, much too interesting to just file away. I contacted Bauersfeld and requested his permission to post his essay here, which he generously granted. Together with the show summaries, it presents a window onto a fascinating and all-too-brief bridge between the worlds of American radio drama and German Hörspiel. The dramas showcase an impressive level of dramatic invention and intellectual caliber, demonstrating philosophical depth and artistic boldness. While I share Bauersfeld’s regret that this international cross-pollination was cut short all too quickly, these nine broadcasts alone are an impressive accomplishment. They deserve wider recognition, and more than that, re-release.

I want to make it clear from the outset that this article only reprints Bauersfeld’s essay and the show summaries from the KPFA Folio issue. The words that follow are not my own, and I do not claim them. Furthermore, this post does not contain audio files of any of the actual shows. I only wish it did, as I’m dying to hear them myself. Nevertheless, I encourage any audio drama enthusiast to read on, and audio drama producers even more so. The ideas packed into these shows are rich, fertile, and inspiring, demonstrating even today how much further the artistic boundaries of audio drama can be pushed.

Again, my deepest gratitude to Erik Bauersfeld for allowing me to reprint his words and bring attention to this intriguing chapter of radio drama history.

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