Audiofile Magazine does it again – a great free audiobook and behind-the-scenes audiobook narrator features, this time focusing on the delight of Alice in Wonderland!

Check out their Alice in Wonderland audio special page for:

• A free download of Alice’s Adventures in Wonderland read by Michael York (courtesy of Blackstone Audio)
• Recorded conversations with narrators Michael York and Jim Dale and audio producer Gabrielle de Cuir
• Editors’ reviews of recommended Alice audiobooks and links to additional online resources for fans.
• Three different readings (Michael York, Jim Dale, and Christopher Plummer) of the Mad Tea Party passage together for a side-by-side comparison.

Fantastique!  It could be interesting to hear what a dramatized version of Alice would sound like, but Michael York does a tremendous job of voicing the different colorful characters of Carroll’s adventure.

Here’s the link again: http://www.audiofilemagazine.com/event/0310_landingpage.html

Don’t be late!  The free audiobook is only available until March 16.

This week I had the incredible honor, pleasure, and generally awesome time of heading to Minneapolis, Minnesota to pick up the Ogle Award for my production, Waiting for a Window. To celebrate, we have it on the show for an encore presentation today.

But not only did I get to pick up a rad award, but I got to hang out my radio buddies Brian Price and Jerry Stearns and finally meet Chris Markman, Great Northern Audio Theater‘s producer, and Jeff Adams of Icebox Radio Theater, who we’ve featured on the show previously and who runs the Icebox Radio streaming radio drama station. Oh, and I got to see really kick-ass sci-fi and fantasy costumes.

I have a bunch of great photos from the live event, which you can check out on FinalRune’s Facebook page. Since I’m about to do my first live show in Halloween, it was a great primer for the calm in the midst of chaos a director needs to have while doing a live show, not to mention a really fun time.

I’ll be talking with Brian and Jerry later today about their work with Mark Time/CONVergence and next week we’ll feature a live show from one of their previous years… But for now, enjoy “Waiting for a Window!”

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Radio Drama Revival – Episode 129

Today I present part one of the Malleus interview with Alan Stevens of Magic Bullet, audio dramatist, writer, and producer of the Kaldor City and The True History of Faction Paradox audio drama serials. In this installment, Stevens discusses what drew him to audio drama and how Magic Bullet came to be, why he recast the Faction Paradox audio dramas, and what makes sound designer Alistair Lock a genius. Alan has an engaging wit and an interesting approach, and the article is embedded with sound clips from both the Kaldor City and The True History of Faction Paradox serials that illustrate why Magic Bullet is a force to be reckoned with in the British audio drama scene. Don’t pass this one by. 

(You can go directly to Magic Bullet’s website by clicking on their logo above. Further sound clips from The True History of Faction Paradox can be found in my overview of the series here. Part 2 of the interview can be found here.)

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This week I’m pleased to post my interview with Nigel Fairs, who cast, directed, composed and mixed the Faction Paradox Protocols published by BBV. Many know Nigel from his work on the Sapphire and Steel and Tomorrow People audio drama serials from Big Finish productions. In this interview Nigel gives a good-humored, at times surprisingly frank account of his work on the first Faction Paradox audio series. You can learn more about Nigel Fairs at his website.

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Welcome to the Malleus critical overview of the Faction Paradox audio drama serials, The Faction Paradox Protocols (BBV) and The True History of Faction Paradox (Magic Bullet). Before we discuss the Faction’s past, let’s take a brief glimpse at its future. Courtesy of Alan Stevens and Magic Bullet, I’m honored to present the web premiere of this exclusive clip from The True History of Faction Paradox #5: Ozymandias.

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Guided by a recurring vision and a fragment of poetry, two adventurers take the first steps onto a journey which will lead them to an alien world of nightmarish architecture, insect civilisations and strange women who are much more than they seem…

For on this planet, a tribunal is assembling– a tribunal which will decide the final contest between Horus and Sutekh, and with it, the fate not only of the Osirian Court and Faction Paradox, but of the universe itself.

Click below for more clips from the entire Faction Paradox range, and a frank look at a fascinating and uncompromising science fantasy series unlike anything you’ve heard.

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Audio track 1 from The Faction Paradox Protocols: The Eleven-Day Empire (the first episode of the first series) appears courtesy of Bill Baggs of BBV media, copyright 2001. Click the CD cover to go directly to the BBV website.

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Audio Track 1 from The True History of Faction Paradox: Coming to Dust (the first episode of the second series) appears courtesy of Alan Stevens of Magic Bullet, copyright 2005. Click the CD cover to go directly to the Magic Bullet website.

How to introduce Faction Paradox?

On the one hand it’s best to discover and unravel its mysteries yourself, on the other without some knowledge of its parent series, Dr. Who, you are at a disadvantage – one that a short field guide could easily remedy. Neither approach is entirely sufficient, so why not have both?

Today’s post is for the Romantics, detectives, and explorers. I’m reprinting Lawrence Miles’s “Faction Paradox – As Much as It’s Known”, an introduction which captures the cryptic poetry and subversive humor of the series. I’m also putting up the first tracks from each of the audio drama lines, BBV’s The Faction Paradox Protocols and Magic Bullet’s The True History of Faction Paradox. No context or backstory today – just let the opening lines engulf and enchant you the way only beginnings can, as in Italo Calvino’s If on a winter’s night a traveler.

Next week I’ll post a rough guide for the practically-minded. It will lay out some basic history of the series, highlight important themes, characters, and concepts, and comment on the strengths and weaknesses of the audio dramas. You can think of it as a thread leading you through Miles’s lexical labyrinth. Or if you’re not a fan of Theseus, you can think of it as a crude form of cheating.

(I will, however, try not to spoil major plot elements of the series.)

Later weeks will feature interviews with Nigel Fairs, director / composer / sound designer / actor for BBV’s The Faction Paradox Protocols, and Alan Stevens of Magic Bullet, producer of The True History of Faction Paradox.

Finally, a brief primer on Dr. Who audio drama spin-offs can be found in last week’s post.

Now read on for series author Lawrence Miles’s introductory essay:

Faction Paradox, as Much as It’s Known

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